Happy Earth Day/Birthday! On Being Present and Receiving Presents (April 22, 2009)

Happy Earth Day! When I woke up this morning I realized that Earth Day is kind of like all of our birthdays combined. We all come from Earth, and therefore we are Earth, and a birthday is a celebration of the mother as much as it is a celebration of the birth of a child. In celebrating the Earth, the source of our lives, we also celebrate ourselves, each other, and life itself. So Happy Birthday.

With birthdays come presents – and so how appropriate that when I opened my mailbox late last night John Houx’s Green Period. was waiting for me. You all know I’m a fan of John’s writing, and last Friday I had the pleasure of seeing him shadow Larkin Grimm on gu zheng. Larkin was captivating as she moved from stories about tree-cleavage and spirit orgasms through songs that walk the line between life and death. I felt a lot of Goddess energy, Kali in particular. Isis, too… but more on that later. John’s airy presence was a perfect counterpoint to Larkin’s powerful voice and energy, and to watch the two of them play was as beautiful as it was to hear them. Now I’m listening to one of my favorite songs, “Apple On A Table, Green”… thank you, John. The perfect Earth Day/Birthday present.

Also at the Bowery Ballroom was the wonderful Kate Maki (who I’d seen perform before but I can’t recall when or where and it’s driving me crazy) and Great Lake Swimmers, who were headlining. The Canadians are currently touring together… you know, I have this strange love of Canada – for the majority of my youth I told people I was Canadian. I still have Canadian luggage tags on my instruments and when I am traveling I say I am Canadian. I didn’t even visit Canada until I was eighteen. I just thought I’d throw that strange tidbit out there. I’m sure Joni and Neil have something to do with my allegiance.

On Saturday I played my own show up in Hartford. It was the most beautiful day of the year so far – sunny and low 70s – and as I was riding the train I thought how nice it would be to sit outside in the sun for a bit. When I got to the train station I got to do just that because my car, which got used to running 1000+ miles a week and now waits in the driveway like a well-hydrated puppy waiting to go outside – didn’t start. When jumper cables failed to produce any signs of life I called my dad, who just so happened to be in the area and who didn’t mind coming by to get me. In the past I might’ve been stressed out about not getting to the gig in time, but I resolved not to waste the energy and instead I enjoyed the sunshine. It was a very different experience. A good one. Everything always works out, anyway – turns out I was scheduled to play an hour later than I thought.

My dad offered to lend me his Prius for the day and driving it was incredible. I was nervous at first because, although I’ve logged a lot of miles, I get really stressed about driving someone else’s car. Especially my dad’s. I did some severe damage back in high school when I backed into his car… which was parked in the driveway. So I was happy to discover the above backing-up feature. I’m sure this made him happy, too. Of course the greatest feature about the Prius is that it is a hybrid, and I enjoyed trying to maximize the fuel consumption by monitoring the dashboard screen:

As for the show, I would say a few words about it except that Dan Barry of the Hartford Advocate seems to have beat me to it. He wrote a really nice review of my set, saying that I “made time stand still,” which I find amusing, and which I credit to my car incident. Sometimes we have to be forced to stop. In stopping, we become present. In becoming present, we have presence. We become present for ourself and others. Therefore we become receiver, present, and giver all in one – just like the Earth. It’s all interconnected. I’ve been seeing these connections a lot recently. As I evolve, my understanding of the interdependence and interrelationship of all things deepens. The Earth provides everything that we need and the more I recognize this the more it becomes true. I just need to pay attention and be present.

For example – here’s some cool synchronicity. My friend Matt Jones lent me On the Road with Bob Dylan a few weeks ago. This chronicles the Rolling Thunder tour Dylan and company did after he recorded the songs for Desire. Desire was my first Dylan album, and therefore the portal to whom I am not just as a musician and writer, but as a living being. I heard “Hurricane” on a mixtape “borrowed” from a friend of my older sister, the same life-defining mixtape that also turned me onto Phish (“Stash” – oh my god). Those first notes entered my body and changed everything I thought I knew about music. I felt the universe surge with tension, seize, and explode. Everything expanded. The possibilities were infinite. I was especially taken by Scarlet Rivera’s violin playing, as I was studying classical violin at the time and not yet a guitarist. The violin has always been love-hate with me, which is to say it matters to me. I was in a lot of youth orchestras and I got really-burned out after high school. I used to practice hours a day and now I haven’t played the violin in almost seven years. “Hurricane” was the first song I taught myself on the violin, playing along and improvising rather than reading someone else’s music. In recent years, particularly when listening to Andrew Bird, I feel a void.

About the same time that Matt gave me this book, Sharon Gannon announced the Focus of the Month of April at Jivamukti Yoga School: “Isis.” I was excited by her essay and the new focus for various reasons involving love, moving forward, stability, creation, and so on. I was most excited, however, because there was a good chance that teachers would be playing “Isis,” off of Desire. I hadn’t listened to Desire in a really long time – possibly years – and sure enough, Bob started showing up in class. Walking home a couple weeks ago I found a tarot card outside my apartment – The Empress. On this particular card she is outfitted like Isis and seated on a throne. I picked it up, went inside, and shortly thereafter I was reading On the Road with Bob Dylan again – I came to the point when Ratso walks into Sara’s hotel room and she is wearing a necklace with an Isis pendant and there is an Empress tarot card on the dresser. Pretty cool.

At this point I realized that the universe really wants me to tune into the Isis-Empress energy right now. It’s been revealing itself to me through creativity and many, many magical ways. It is still revealing itself, as the month is far from over, but I feel that the violin is a key element. Last week I heard a musician playing as I descended the subway steps and I felt a pang of “I miss that.” As I walked across the platform our eyes met and he stopped playing, handed the violin to me, and said, “You play?” This is no coincidence. I was shocked. So I took the foreign object into my hands and played the first thing that came – “Twinkle, Twinkle, Little Star.” A far cry from the Bruch violin concerto I studied senior year of high school, which pretty much was the nail in the coffin for my classical career. But if anyone can bring the violin back from the dead for me it’s Isis, who reassembled and resurrected her brother-husband, Osiris. Yann Tiersen yanked some nails out of the coffin last week at Irving Plaza (see above).

I hope you’re enjoying your Earth Day/Birthday and that this year brings you many presents… after all, isn’t that what our future is? The accumulation of presents – presence? Therein lies true wealth.

Happy Earth Day/Birthday! On Being Present and Receiving Presents (April 22, 2009)

Happy Earth Day! When I woke up this morning I realized that Earth Day is kind of like all of our birthdays combined. We all come from Earth, and therefore we are Earth, and a birthday is a celebration of the mother as much as it is a celebration of the birth of a child. In celebrating the Earth, the source of our lives, we also celebrate ourselves, each other, and life itself. So Happy Birthday.

With birthdays come presents – and so how appropriate that when I opened my mailbox late last night John Houx’s Green Period. was waiting for me. You all know I’m a fan of John’s writing, and last Friday I had the pleasure of seeing him shadow Larkin Grimm on gu zheng. Larkin was captivating as she moved from stories about tree-cleavage and spirit orgasms through songs that walk the line between life and death. I felt a lot of Goddess energy, Kali in particular. Isis, too… but more on that later. John’s airy presence was a perfect counterpoint to Larkin’s powerful voice and energy, and to watch the two of them play was as beautiful as it was to hear them. Now I’m listening to one of my favorite songs, “Apple On A Table, Green”… thank you, John. The perfect Earth Day/Birthday present.

Also at the Bowery Ballroom was the wonderful Kate Maki (who I’d seen perform before but I can’t recall when or where and it’s driving me crazy) and Great Lake Swimmers, who were headlining. The Canadians are currently touring together… you know, I have this strange love of Canada – for the majority of my youth I told people I was Canadian. I still have Canadian luggage tags on my instruments and when I am traveling I say I am Canadian. I didn’t even visit Canada until I was eighteen. I just thought I’d throw that strange tidbit out there. I’m sure Joni and Neil have something to do with my allegiance.

On Saturday I played my own show up in Hartford. It was the most beautiful day of the year so far – sunny and low 70s – and as I was riding the train I thought how nice it would be to sit outside in the sun for a bit. When I got to the train station I got to do just that because my car, which got used to running 1000+ miles a week and now waits in the driveway like a well-hydrated puppy waiting to go outside – didn’t start. When jumper cables failed to produce any signs of life I called my dad, who just so happened to be in the area and who didn’t mind coming by to get me. In the past I might’ve been stressed out about not getting to the gig in time, but I resolved not to waste the energy and instead I enjoyed the sunshine. It was a very different experience. A good one. Everything always works out, anyway – turns out I was scheduled to play an hour later than I thought.

My dad offered to lend me his Prius for the day and driving it was incredible. I was nervous at first because, although I’ve logged a lot of miles, I get really stressed about driving someone else’s car. Especially my dad’s. I did some severe damage back in high school when I backed into his car… which was parked in the driveway. So I was happy to discover the above backing-up feature. I’m sure this made him happy, too. Of course the greatest feature about the Prius is that it is a hybrid, and I enjoyed trying to maximize the fuel consumption by monitoring the dashboard screen:

As for the show, I would say a few words about it except that Dan Barry of the Hartford Advocate seems to have beat me to it. He wrote a really nice review of my set, saying that I “made time stand still,” which I find amusing, and which I credit to my car incident. Sometimes we have to be forced to stop. In stopping, we become present. In becoming present, we have presence. We become present for ourself and others. Therefore we become receiver, present, and giver all in one – just like the Earth. It’s all interconnected. I’ve been seeing these connections a lot recently. As I evolve, my understanding of the interdependence and interrelationship of all things deepens. The Earth provides everything that we need and the more I recognize this the more it becomes true. I just need to pay attention and be present.

For example – here’s some cool synchronicity. My friend Matt Jones lent me On the Road with Bob Dylan a few weeks ago. This chronicles the Rolling Thunder tour Dylan and company did after he recorded the songs for Desire. Desire was my first Dylan album, and therefore the portal to whom I am not just as a musician and writer, but as a living being. I heard “Hurricane” on a mixtape “borrowed” from a friend of my older sister, the same life-defining mixtape that also turned me onto Phish (“Stash” – oh my god). Those first notes entered my body and changed everything I thought I knew about music. I felt the universe surge with tension, seize, and explode. Everything expanded. The possibilities were infinite. I was especially taken by Scarlet Rivera’s violin playing, as I was studying classical violin at the time and not yet a guitarist. The violin has always been love-hate with me, which is to say it matters to me. I was in a lot of youth orchestras and I got really-burned out after high school. I used to practice hours a day and now I haven’t played the violin in almost seven years. “Hurricane” was the first song I taught myself on the violin, playing along and improvising rather than reading someone else’s music. In recent years, particularly when listening to Andrew Bird, I feel a void.

About the same time that Matt gave me this book, Sharon Gannon announced the Focus of the Month of April at Jivamukti Yoga School: “Isis.” I was excited by her essay and the new focus for various reasons involving love, moving forward, stability, creation, and so on. I was most excited, however, because there was a good chance that teachers would be playing “Isis,” off of Desire. I hadn’t listened to Desire in a really long time – possibly years – and sure enough, Bob started showing up in class. Walking home a couple weeks ago I found a tarot card outside my apartment – The Empress. On this particular card she is outfitted like Isis and seated on a throne. I picked it up, went inside, and shortly thereafter I was reading On the Road with Bob Dylan again – I came to the point when Ratso walks into Sara’s hotel room and she is wearing a necklace with an Isis pendant and there is an Empress tarot card on the dresser. Pretty cool.

At this point I realized that the universe really wants me to tune into the Isis-Empress energy right now. It’s been revealing itself to me through creativity and many, many magical ways. It is still revealing itself, as the month is far from over, but I feel that the violin is a key element. Last week I heard a musician playing as I descended the subway steps and I felt a pang of “I miss that.” As I walked across the platform our eyes met and he stopped playing, handed the violin to me, and said, “You play?” This is no coincidence. I was shocked. So I took the foreign object into my hands and played the first thing that came – “Twinkle, Twinkle, Little Star.” A far cry from the Bruch violin concerto I studied senior year of high school, which pretty much was the nail in the coffin for my classical career. But if anyone can bring the violin back from the dead for me it’s Isis, who reassembled and resurrected her brother-husband, Osiris. Yann Tiersen yanked some nails out of the coffin last week at Irving Plaza (see above).

I hope you’re enjoying your Earth Day/Birthday and that this year brings you many presents… after all, isn’t that what our future is? The accumulation of presents – presence? Therein lies true wealth.

Happy Earth Day/Birthday! On Being Present and Receiving Presents (April 22, 2009)

Happy Earth Day! When I woke up this morning I realized that Earth Day is kind of like all of our birthdays combined. We all come from Earth, and therefore we are Earth, and a birthday is a celebration of the mother as much as it is a celebration of the birth of a child. In celebrating the Earth, the source of our lives, we also celebrate ourselves, each other, and life itself. So Happy Birthday.

With birthdays come presents – and so how appropriate that when I opened my mailbox late last night John Houx’s Green Period. was waiting for me. You all know I’m a fan of John’s writing, and last Friday I had the pleasure of seeing him shadow Larkin Grimm on gu zheng. Larkin was captivating as she moved from stories about tree-cleavage and spirit orgasms through songs that walk the line between life and death. I felt a lot of Goddess energy, Kali in particular. Isis, too… but more on that later. John’s airy presence was a perfect counterpoint to Larkin’s powerful voice and energy, and to watch the two of them play was as beautiful as it was to hear them. Now I’m listening to one of my favorite songs, “Apple On A Table, Green”… thank you, John. The perfect Earth Day/Birthday present.

Also at the Bowery Ballroom was the wonderful Kate Maki (who I’d seen perform before but I can’t recall when or where and it’s driving me crazy) and Great Lake Swimmers, who were headlining. The Canadians are currently touring together… you know, I have this strange love of Canada – for the majority of my youth I told people I was Canadian. I still have Canadian luggage tags on my instruments and when I am traveling I say I am Canadian. I didn’t even visit Canada until I was eighteen. I just thought I’d throw that strange tidbit out there. I’m sure Joni and Neil have something to do with my allegiance.

On Saturday I played my own show up in Hartford. It was the most beautiful day of the year so far – sunny and low 70s – and as I was riding the train I thought how nice it would be to sit outside in the sun for a bit. When I got to the train station I got to do just that because my car, which got used to running 1000+ miles a week and now waits in the driveway like a well-hydrated puppy waiting to go outside – didn’t start. When jumper cables failed to produce any signs of life I called my dad, who just so happened to be in the area and who didn’t mind coming by to get me. In the past I might’ve been stressed out about not getting to the gig in time, but I resolved not to waste the energy and instead I enjoyed the sunshine. It was a very different experience. A good one. Everything always works out, anyway – turns out I was scheduled to play an hour later than I thought.

My dad offered to lend me his Prius for the day and driving it was incredible. I was nervous at first because, although I’ve logged a lot of miles, I get really stressed about driving someone else’s car. Especially my dad’s. I did some severe damage back in high school when I backed into his car… which was parked in the driveway. So I was happy to discover the above backing-up feature. I’m sure this made him happy, too. Of course the greatest feature about the Prius is that it is a hybrid, and I enjoyed trying to maximize the fuel consumption by monitoring the dashboard screen:

As for the show, I would say a few words about it except that Dan Barry of the Hartford Advocate seems to have beat me to it. He wrote a really nice review of my set, saying that I “made time stand still,” which I find amusing, and which I credit to my car incident. Sometimes we have to be forced to stop. In stopping, we become present. In becoming present, we have presence. We become present for ourself and others. Therefore we become receiver, present, and giver all in one – just like the Earth. It’s all interconnected. I’ve been seeing these connections a lot recently. As I evolve, my understanding of the interdependence and interrelationship of all things deepens. The Earth provides everything that we need and the more I recognize this the more it becomes true. I just need to pay attention and be present.

For example – here’s some cool synchronicity. My friend Matt Jones lent me On the Road with Bob Dylan a few weeks ago. This chronicles the Rolling Thunder tour Dylan and company did after he recorded the songs for Desire. Desire was my first Dylan album, and therefore the portal to whom I am not just as a musician and writer, but as a living being. I heard “Hurricane” on a mixtape “borrowed” from a friend of my older sister, the same life-defining mixtape that also turned me onto Phish (“Stash” – oh my god). Those first notes entered my body and changed everything I thought I knew about music. I felt the universe surge with tension, seize, and explode. Everything expanded. The possibilities were infinite. I was especially taken by Scarlet Rivera’s violin playing, as I was studying classical violin at the time and not yet a guitarist. The violin has always been love-hate with me, which is to say it matters to me. I was in a lot of youth orchestras and I got really-burned out after high school. I used to practice hours a day and now I haven’t played the violin in almost seven years. “Hurricane” was the first song I taught myself on the violin, playing along and improvising rather than reading someone else’s music. In recent years, particularly when listening to Andrew Bird, I feel a void.

About the same time that Matt gave me this book, Sharon Gannon announced the Focus of the Month of April at Jivamukti Yoga School: “Isis.” I was excited by her essay and the new focus for various reasons involving love, moving forward, stability, creation, and so on. I was most excited, however, because there was a good chance that teachers would be playing “Isis,” off of Desire. I hadn’t listened to Desire in a really long time – possibly years – and sure enough, Bob started showing up in class. Walking home a couple weeks ago I found a tarot card outside my apartment – The Empress. On this particular card she is outfitted like Isis and seated on a throne. I picked it up, went inside, and shortly thereafter I was reading On the Road with Bob Dylan again – I came to the point when Ratso walks into Sara’s hotel room and she is wearing a necklace with an Isis pendant and there is an Empress tarot card on the dresser. Pretty cool.

At this point I realized that the universe really wants me to tune into the Isis-Empress energy right now. It’s been revealing itself to me through creativity and many, many magical ways. It is still revealing itself, as the month is far from over, but I feel that the violin is a key element. Last week I heard a musician playing as I descended the subway steps and I felt a pang of “I miss that.” As I walked across the platform our eyes met and he stopped playing, handed the violin to me, and said, “You play?” This is no coincidence. I was shocked. So I took the foreign object into my hands and played the first thing that came – “Twinkle, Twinkle, Little Star.” A far cry from the Bruch violin concerto I studied senior year of high school, which pretty much was the nail in the coffin for my classical career. But if anyone can bring the violin back from the dead for me it’s Isis, who reassembled and resurrected her brother-husband, Osiris. Yann Tiersen yanked some nails out of the coffin last week at Irving Plaza (see above).

I hope you’re enjoying your Earth Day/Birthday and that this year brings you many presents… after all, isn’t that what our future is? The accumulation of presents – presence? Therein lies true wealth.

Ghosts, Feathers, Shadows, & Dead Weather (April 8, 2009)

This weekend I went to see The Ghost of the Saber Toothed Tiger, Sean Lennon’s current project with his partner, Charlotte Kemp. I went without expectation, not knowing any of their music aside from a few short MySpace clips and trying to think beyond the bloodline. I was pleasantly surprised. Their sound is a melodic folk-rock-cabaret mix and their harmonies blended well with the deep red interior and warm lighting of the Living Room. They were backed by some of the best musicians in the city and during one song, “written for Paul’s son,” I felt tingly energy shoot up from my feet to the base of my skull and I wonder if it was, indeed, the ghost of the saber-toothed tiger. (The name comes from a story Charlotte wrote as a little girl). I particularly liked “Jardin du Luxembourg,” too, and I was surprised by the dynamics of the group, as well as Sean’s electric guitar playing, used sparingly and tastefully and therefore very effectively. It’s apparent that they share similar influences as Beck, and it made sense when they closed with a Serge Gainsbourg cover – here’s an interesting version of “Comic Strip,” one of my favorites:

(Speaking of ghosts, here’s a neat interview with Dylan on ghosts of the South. His new album comes out in less than three weeks!)

Last night I went to Glasslands Gallery to see Blood Feathers, above, a fantastic rock band from Philadelphia. Glasslands is a really cool venue, filled with installations and, at least last night, lots of beautiful long-haired boys. Before Blood Feathers the Los Angeles-based The Street & Babe Shadow played, another boy-girl duo accompanied by beautiful long-haired Californians. It was all very overwhelming, actually, and I sought comfort in my friends who confirmed that, indeed, there was an abundance of beautiful long-haired Californians roaming about and that, indeed, it was very overwhelming. The best thing to do in such a situation is dance, and that’s just what we did. Paige Stark sang background vocals until she took (and I’d say thereafter stole) the spotlight for a few numbers with guitar – in a sea of beautiful long-haired boys this beautiful long-haired girl held her own. Fantastic.

Then this morning I woke up excited to get tickets to see The Dead Weather at the Bowery Ballroom next week and according to Ticketmaster the show was sold out at 10:00:05, a mere five seconds after going on sale (and this was according to both web and phone, as I was working both). I am not happy about this. What’s even worse is that as I sat at my laptop, cursing Ticketmaster (I have not been able to get one ticket through Ticketmaster this year), I looked out the window and it was snowing. Dead Weather indeed. Just went to the box office at Mercury Lounge and no luck there either. At least I have memories of – yup, you guessed it – beautiful long-haired California boys…

Reminder – Saturday night I’m playing Northeast Kingdom with Gann Matthews and Patrick Glynn! See the site for info

Ghosts, Feathers, Shadows, & Dead Weather (April 8, 2009)

This weekend I went to see The Ghost of the Saber Toothed Tiger, Sean Lennon’s current project with his partner, Charlotte Kemp. I went without expectation, not knowing any of their music aside from a few short MySpace clips and trying to think beyond the bloodline. I was pleasantly surprised. Their sound is a melodic folk-rock-cabaret mix and their harmonies blended well with the deep red interior and warm lighting of the Living Room. They were backed by some of the best musicians in the city and during one song, “written for Paul’s son,” I felt tingly energy shoot up from my feet to the base of my skull and I wonder if it was, indeed, the ghost of the saber-toothed tiger. (The name comes from a story Charlotte wrote as a little girl). I particularly liked “Jardin du Luxembourg,” too, and I was surprised by the dynamics of the group, as well as Sean’s electric guitar playing, used sparingly and tastefully and therefore very effectively. It’s apparent that they share similar influences as Beck, and it made sense when they closed with a Serge Gainsbourg cover – here’s an interesting version of “Comic Strip,” one of my favorites:

(Speaking of ghosts, here’s a neat interview with Dylan on ghosts of the South. His new album comes out in less than three weeks!)

Last night I went to Glasslands Gallery to see Blood Feathers, above, a fantastic rock band from Philadelphia. Glasslands is a really cool venue, filled with installations and, at least last night, lots of beautiful long-haired boys. Before Blood Feathers the Los Angeles-based The Street & Babe Shadow played, another boy-girl duo accompanied by beautiful long-haired Californians. It was all very overwhelming, actually, and I sought comfort in my friends who confirmed that, indeed, there was an abundance of beautiful long-haired Californians roaming about and that, indeed, it was very overwhelming. The best thing to do in such a situation is dance, and that’s just what we did. Paige Stark sang background vocals until she took (and I’d say thereafter stole) the spotlight for a few numbers with guitar – in a sea of beautiful long-haired boys this beautiful long-haired girl held her own. Fantastic.

Then this morning I woke up excited to get tickets to see The Dead Weather at the Bowery Ballroom next week and according to Ticketmaster the show was sold out at 10:00:05, a mere five seconds after going on sale (and this was according to both web and phone, as I was working both). I am not happy about this. What’s even worse is that as I sat at my laptop, cursing Ticketmaster (I have not been able to get one ticket through Ticketmaster this year), I looked out the window and it was snowing. Dead Weather indeed. Just went to the box office at Mercury Lounge and no luck there either. At least I have memories of – yup, you guessed it – beautiful long-haired California boys…

Reminder – Saturday night I’m playing Northeast Kingdom with Gann Matthews and Patrick Glynn! See the site for info

Ghosts, Feathers, Shadows, & Dead Weather (April 8, 2009)

This weekend I went to see The Ghost of the Saber Toothed Tiger, Sean Lennon’s current project with his partner, Charlotte Kemp. I went without expectation, not knowing any of their music aside from a few short MySpace clips and trying to think beyond the bloodline. I was pleasantly surprised. Their sound is a melodic folk-rock-cabaret mix and their harmonies blended well with the deep red interior and warm lighting of the Living Room. They were backed by some of the best musicians in the city and during one song, “written for Paul’s son,” I felt tingly energy shoot up from my feet to the base of my skull and I wonder if it was, indeed, the ghost of the saber-toothed tiger. (The name comes from a story Charlotte wrote as a little girl). I particularly liked “Jardin du Luxembourg,” too, and I was surprised by the dynamics of the group, as well as Sean’s electric guitar playing, used sparingly and tastefully and therefore very effectively. It’s apparent that they share similar influences as Beck, and it made sense when they closed with a Serge Gainsbourg cover – here’s an interesting version of “Comic Strip,” one of my favorites:

(Speaking of ghosts, here’s a neat interview with Dylan on ghosts of the South. His new album comes out in less than three weeks!)

Last night I went to Glasslands Gallery to see Blood Feathers, above, a fantastic rock band from Philadelphia. Glasslands is a really cool venue, filled with installations and, at least last night, lots of beautiful long-haired boys. Before Blood Feathers the Los Angeles-based The Street & Babe Shadow played, another boy-girl duo accompanied by beautiful long-haired Californians. It was all very overwhelming, actually, and I sought comfort in my friends who confirmed that, indeed, there was an abundance of beautiful long-haired Californians roaming about and that, indeed, it was very overwhelming. The best thing to do in such a situation is dance, and that’s just what we did. Paige Stark sang background vocals until she took (and I’d say thereafter stole) the spotlight for a few numbers with guitar – in a sea of beautiful long-haired boys this beautiful long-haired girl held her own. Fantastic.

Then this morning I woke up excited to get tickets to see The Dead Weather at the Bowery Ballroom next week and according to Ticketmaster the show was sold out at 10:00:05, a mere five seconds after going on sale (and this was according to both web and phone, as I was working both). I am not happy about this. What’s even worse is that as I sat at my laptop, cursing Ticketmaster (I have not been able to get one ticket through Ticketmaster this year), I looked out the window and it was snowing. Dead Weather indeed. Just went to the box office at Mercury Lounge and no luck there either. At least I have memories of – yup, you guessed it – beautiful long-haired California boys…

Reminder – Saturday night I’m playing Northeast Kingdom with Gann Matthews and Patrick Glynn! See the site for info

First Signs of Spring and I Love New York Again (April 2, 2009)

The cemetery was filled with flowers and frisky squirrels today. As the warm spring air loosened my scarf I found myself smiling again and I realized that my late-winter funk has had more to do with late-winter than this beautiful city. I’ve been anxious to leave her lately, in case you haven’t noticed. In fact, I’ve been rather cruel. I’m sorry, New York. I know you’re not to blame for my S.A.D.ness, but unfortunately that’s how these love affairs go sometimes.

Today was perfect – I uncovered a few songs I forgot I wrote last week, I had the privilege of taking class with both Lanny Harrison and Sharon Gannon, and the sun… oh, the sun was just so beautiful. I am full of vitamin D tonight. And very happy that it is April, which is definitely not the cruelest month. I’d say that’s Janbruarch, that long gray sob between the giggles of New Years and April Fools’ Day.

Before the rain washes these happy vitamins away come hear me play with Eric Lichter tomorrow night – click here for info. See you soon!

First Signs of Spring and I Love New York Again (April 2, 2009)

The cemetery was filled with flowers and frisky squirrels today. As the warm spring air loosened my scarf I found myself smiling again and I realized that my late-winter funk has had more to do with late-winter than this beautiful city. I’ve been anxious to leave her lately, in case you haven’t noticed. In fact, I’ve been rather cruel. I’m sorry, New York. I know you’re not to blame for my S.A.D.ness, but unfortunately that’s how these love affairs go sometimes.

Today was perfect – I uncovered a few songs I forgot I wrote last week, I had the privilege of taking class with both Lanny Harrison and Sharon Gannon, and the sun… oh, the sun was just so beautiful. I am full of vitamin D tonight. And very happy that it is April, which is definitely not the cruelest month. I’d say that’s Janbruarch, that long gray sob between the giggles of New Years and April Fools’ Day.

Before the rain washes these happy vitamins away come hear me play with Eric Lichter tomorrow night – click here for info. See you soon!

First Signs of Spring and I Love New York Again (April 2, 2009)

The cemetery was filled with flowers and frisky squirrels today. As the warm spring air loosened my scarf I found myself smiling again and I realized that my late-winter funk has had more to do with late-winter than this beautiful city. I’ve been anxious to leave her lately, in case you haven’t noticed. In fact, I’ve been rather cruel. I’m sorry, New York. I know you’re not to blame for my S.A.D.ness, but unfortunately that’s how these love affairs go sometimes.

Today was perfect – I uncovered a few songs I forgot I wrote last week, I had the privilege of taking class with both Lanny Harrison and Sharon Gannon, and the sun… oh, the sun was just so beautiful. I am full of vitamin D tonight. And very happy that it is April, which is definitely not the cruelest month. I’d say that’s Janbruarch, that long gray sob between the giggles of New Years and April Fools’ Day.

Before the rain washes these happy vitamins away come hear me play with Eric Lichter tomorrow night – click here for info. See you soon!

Swept Away (April 1, 2009)

Last weekend I went out of town and helped my mom get ready to move. As I boxed up (and got rid of) childhood mementos I felt like I was working my way through an exhibit on another person’s life. I don’t know which was more amazing to me – how much junk I’ve accumulated over the years or how much of my past I’ve forgotten. Some of the discoveries were pretty hilarious, like sand from outside Tom Petty’s house:

Tom had a house on the same stretch of beach as my grandparents and growing up I made a yearly pilgrimage to pay my respects. Slightly weird and perhaps creepy, but I was a kid… although this jar of sand made the cut. I guess I’m still weird and kind of creepy. Also superstitious:

I found a (Tom Petty) mug filled with just about every heads-up penny I’ve ever found, and lots of fortunes. In recent years I’ve begun to collect the heads-down ones to balance things out. I decided to pass on all this accumulated luck, as well as my impressive bottle-cap collection. I also discovered numerous unfinished art projects and a box filled with dried flowers…

… which I saved for notecards and album art. They’re just so pretty.

Uncovering my Phish collection was a happy moment – I have hundreds of live shows on tape and CD, plus some other nice bootlegs. As I still haven’t secured Jones Beach tickets I will happily trade whatever I have for Jones Beach – or Mansfield or Camden. Please message me if you have extras. As you can see, Phish got me through adolescence…

… definitely the light at the end of the tunnel that guided me to my own music. Which apparently I have a ton of – the most time-consuming part of packing was organizing all of my notebooks, CDs, and cassettes from over the years – the volume of this stuff is just overwhelming.

Mixed in with my notebooks I found one of my earlier writing attempts…

… and this slightly disturbing picture from Myth and Bible:

At the end of the weekend I had a lot of boxes for Goodwill. I find most things aren’t worth holding onto. It’s funny because I am really sentimental about certain things, like rocks, but then there’s a part of me that doesn’t care… I’m just not really attached. The nostalgia doesn’t go very deep. Not like experiences… like seeing Phish at Jones Beach in June (you can have all of my live showsemail me). I think this is due to moving around a lot and traveling, lightening my load. I’m also very conscious of what I bring into my life – “Is this going to contribute to my life or to the landfill?” All I really want to keep are my books, which are a real drag to move, so they have to be worth it – I filled up at least twenty boxes and I still have several stacks. Tucked in with them were one of my old favorites, though:

Some things are worth saving :)

PS. “Swept Away” is a beautiful piece from Billy Breathes, a great album to start with if you are new to Phish.